Amazing...so incredibly amazing. The kind of film that makes me want to stop making films because I don't think I could live up to that standard...and the next day the kind of film that makes me want to try twice as hard to do so.
One of strangest, most profound, silly, touching, surreal, lovable, funny and oddly soothing films I've ever seen. It will be hard to knock this out of my top 10. Just submit to the power of the film and finish it in one sitting. You never know where it's going to go, just know you'll be glad when you do.
Holy photography this movie is gorgeous. Kubrick is defiantly finding his signature style...but the script with all of the flashbacks is not quite as sharp as it could have been. Well worth seeing in spite of that...oh and the mannequin sequence is amazing.
This used to be my favorite Bond film, but I think Goldfinger may have taken over that spot.
FRWL is certainly one of the stranger Bond films. Bond doesn't show up for the first 20 minutes of the movie. There is no plot to take over the world. Bond only fights henchman rather than the top baddies.
However FRWL also provides times where Bond really seems to be in Danger. There is a reality to the story that goes on that makes FRWL very visceral.
Is there anything I can say that already hasn't? Hands down the most influential film in cinema history.
After recently seeing this on the big screen, I can't help but marvel at this film. Seeing it on the big screen was like seeing it for the first time. So many little details lept out at me that I had never seen before.
Arguably Hitchcock's best film. Vertigo is a better crafted film...while Rear Window is the better story. Similar in the comparison of Citizen Kane and Casablanca. CK is the great technical achievement, while Casablanca is the greater emotional achievement.
Peckinpah's poetic tale of masculinity is a sight to behold. A truly brutal and beautiful film about the death of the old west. Holden, Borgnine, Oates, O'Briejn and Ryan are marvelous as the last of a dying breed.
Westerns, action and film were all never the same after The Wild Bunch .
It also features the most awesome director's credit in history.
Shane Black completely does to Film Noir what he did for...well not for Film Noir really Neo-Noir.
But I mean who of you who are reading this would know the difference. I'm not saying anything it's just--well the difference is subtle..technical really and--
I mean it's like the difference between ding dong's and ho ho's...they aren't the "same" really,
Look at me I'm completely off topic. I'm being a bad reviewer.
Okay back to the film. The dialog is really good too. It crackles with Black wit...oh that was clever...nevermind no it wasn't
Anyway see the movie, it's really good.
Oh and there's a monkey from the future too. Ugly Sucker. Only says "Ficus".
and you get to see Monaghan's goods too if your not convinced. Perverts...
The camera and storytelling here are so playful, it's easy to see Truffaut's love of the Noir genre. The loose hand held style, rhythmic frequent cutting and the free form jazz soundtrack all bring this down and dirty character piece to life.
Extra kudos for the matricide by way of fibbing gag
The jewel heist is almost an afterthought to this movie...it's not really a movie where you ask "why" this is happening...but "what" is...and how well that's executed.
Awesome little hk classic. Chinese vs Japanese Styles...exploding ninjas...crazy voltron burrowing ninjas...naked lady ninjas...the list goes on and on
It's a romance flick...one of the best...but nothing more...the acting is great and the story is VERY British..the last few moments they have together are amazing.
It's the kind of movie that is hard to watch now because so much has been borrowed from it. Still worth checking out though
British Giallo...Hitchcock finally being able to show, in delightfully grizzly detail, all of the quirks and fetishes that had laid under the surface in his previous films
An early police procedural that was the template for Dragnet. Although this picture is said to be directed by Alfred Werkler it's actually a early directorial project by Anthony Mann.
Worth seeing just for the final chase through the sewers of LA
This is a great James Bond film. Don't let the "rumors" that this is the blacksheep of the series dissuade you from seeing it. It's even got Emma Peel as the Bond girl. How cool is that?
Classic "Guy comes into town and decides to clean up the rotten element" Western by the master John Ford. The economy of storytelling is really impressive in this kind sublime re-telling of the Gun Fight at the OK Corral
Why does nobody talk about this movie? Coburn and Steiger are note perfect. The Flashbacks are a little much, but tolerable given the abundance of amazingness that is the rest of the film.
Really interesting film based (loosely) on the life of George Armstrong Custer. It's certainly guilty of a little hero worship, but a whole lot of fun.
Trivia Tidbit: Flynn and DeHavilland's last film together.
This retelling of King Lear is a cornucopia of lush colors and textures. From the Kabuki theatrics to the immense & bloody battles, Ran delivers on all cylinders.
Kurosawa's deep appreciation of John Ford can be seen through out this film. His use of master shots and landscapes allows the viewer to actually understand the tactics being used in the battles. A refreshing change from the "everything's a closeup" phase current cinema seems to be in
This retelling of King Lear is a cornucopia of lush colors and textures. From the Kabuki theatrics to the immense & bloody battles, Ran delivers on all cylinders.
Kurosawa's deep appreciation of John Ford can be seen through out this film. His use of master shots and landscapes allows the viewer to actually understand the tactics being used in the battles. A refreshing change from the "everything's a closeup" phase current cinema seems to be in
A solid entry in the franchise, not nearly as bad as I had been told it was.
Seeing Bond operate outside of MI6 and all hopped up on angry juice was a refreshing change from the "Bond formula". however this is also likely the reason for the backlash it has received.
Cabaret is a beautiful piece of film making and not to mention directing.
Liza won the Oscar that year, and she deserved it...how Fosse got that performance out of her I'll never know.
Also, hands down one of the scariest pieces of cinema ever created is in this film. When a group of young Nazi's sing "Tomorrow Belongs to Me" in a park, I literally get shivers up my spine.
This movie is awesome. You get the amazing scenery of Macao, Jane Russell & Gloria Grahame and Robert Mitchum is also once again an amazing badass. The fantastic character actor William Bendix does solid work as well.
Tarkovsky's first film is easily his most accessible. Shot in stark black and white, this powerful tale of revenge and patriotism is an excellent starting place for any one interested in the great directors work.
The only that makes this movie better is seeing it on the Big Screen.
QT calls this the greatest movie of all time...and as a movie...I might have to agree with him. As a film it still doesn't stand up to Once Upon a Time in the West, but still bloody entertaining.
By no means there best work, and certianly there most un even. There are scenes of pure illogical insanity followed by those of mind numbing exposition.
However, This probably has the Marx brothers finest musical moments, specifically "Lydia the Tattooed Lady,"
This Swedish art film set on the brink of WW3 examines the silence of god and lesbian incest. A heavy stylistic influence on Kubrick's the Shining, the images are both hypnotic, stunning and frightening at the same time.
Highly distilled Hitchcock. All of the tropes that he would be heralded for later are on display in this taught "Noir in a small town" film. Rich well rounded characters bring this delightful suspense picture to life.
Elia Kazan crafts another film on the edges of Noir that acts as a thematic cousin to On the Waterfront.
In this cross between Outbreak and A buddy cop film, the continuously fantastic Richard Wydmark desperately tries to find the man who shot an immigrant infected with mnemonic plague.
Jack Palance has the most textured face of any person on the planet. Good lord.
Strong directorial film debut by Danny Boyle makes the most of it's simple premise. 3 roommates, a bag of cash and a lot of paranoia spiral out of control.
Malick's masterpiece. One of the most gorgeously shot films in history. Right up there with The Conformist and Chinatown.
Gere, Adams and Shepard all give exquisitely simple performance that speak volumes.
However the real brilliance lies with it's Mise en Cadre. The collision of images, created through the editing and direction, build a visual poem of powerful emotion.
One of the most incredibly shot films of all time.
Bava uses color to accent the beauty of the victims and the plainness of the murderer.
However this is not one of Bava's most enjoyable fims to watch from a story sense, but then again story has never been the Italian films strongest point.
In the dark unexplored Avocado jungles of Southern California, A sexy feminist professor must venture deep inside to convince the Piranha women (i.e. cannibal women) to leave their homes for lovely Condos in Malibu.
I'm not making this up. One of the best lines is "there isn't a a feminist group that's advocates cannibalism, at least not since the 60's"
It's like the French Connection with Batman as Popeye Doyle. There's even a car chase under an elevated train.
On a second viewing I realize that this film is Great, but not a masterpiece. A few minor details don't detract from the viewing experience, but do become noticeable once the ecstasy wears off. What Hitchcock refereed too as refrigerator logic.
Batman jumps out of his penthouse to save Rachel...and leaves the joker with all of his house guests...and were lead to believe that what? The Joker politely excused himself? The bat-sonar is cool...but seriously? There isn't enough science in the world to pull that off.
and I'm almost willing to overlook the Joker's ninja like ability to plant bombs without people noticing...almost.
Regardless it's one hell oh a movie, and one of the best of 2008. Wally Pfister's cinematography is breathtaking (especially in Imax. The depth of field that camera has makes me hot). Grand performances all round. Especially from Gary Oldman, whose Lt. Gordon holds together this dynamite ensemble cast.
I am the same age as Lawrence, and I have officially accomplished NOTHING in comparison to this guy.
An experience like no other, and a story worthy of it's glorious 70mm presentation. You haven't seen this film, until you've seen it on the big screen.
Not my favorite Chaplin, but still an amazing piece of work. The chemistry between Chaplin and Coogan is phenomenal. The dream sequence at the end is a little much.
Really enjoyable screwball comedy featuring Claudette Colbert and John Barrymore. Crackling dialogue holds together a relatively slow beginning that builds into an awesome climax
One of the coolest, purest and craziest kung fu films ever made.
The flying Guillotine is one of the most WTF weapons in the genre. Imagine a bladed bee keepers helmet on a chain and it's being wielded by a blind blood thirst monk on a revenge kick.
Beatty's charm and Gordon Willis' cinematography elevate this highly influential film to great heights. Pakula's direction, and in particular his attention to humor. are sublime.
It's a classic, but very dated. Some hilarious moments and some profoundly irritating ones as well. Stan Laurel is at his best when he's losing his shit.
Beautifully dark in both image and theme. Fonda and Sutherland are both amazingly natural and vulnerable. Gordon Willis' cinematography is breathtaking.