Carlo Battisti, Maria-Pia Casilio

Umberto Domenico Ferrari, an elderly and retired civil servant, is desperately trying to maintain a decent standard of living on a rapidly dwindling state pension. But he's up against his tyrannical l...( read more  read more... )andlady, who keeps demanding rent that he can't pay (while renting his room out to prostitutes during the day), and his only friends are the pregnant housemaid and his little dog Flike...

Flixster Users

94% liked it

5,165 ratings

Critics

96% liked it

25 critics

Unrated, 1 hr. 29 min.

Directed by: Vittorio De Sica

Release Date: January 1, 1952

Invite friends to see

DVD Release Date: July 22, 2003

Stats: 356 reviews

Get movie widget Recommend it Add to Favorites

Your Rating



clear rating
Share on: Facebook Twitter

Flixster Reviews (356)


  • October 22, 2009
    Director Vittorio De Sica and screenwriter Cesare Zavattini, show again their good sense and total mastery over pathos. Characters of exemplary moral standards who find themselves unjustly trapped inside a somber existence, condemned to indifference and oblivion.
    It's been quite ...( read more)a long time since I saw a film so beautiful, involving and heartbreaking. I'm not embarrassed to say I broke into tears at the finale. What a splendid achievement.
  • June 10, 2009
    Vittorio De Sica's "Umberto D", one of the best examples of an Italian neorealist film, could almost play as a slapstick comedy. The leading character, a broken old man, tries to feign sickness in a Catholic hospital, and when he cannot bring himself to beg on the streets he acts...( read more) as though he had been holding his hand out to feel for the rain. The second half of the film, which involves Umberto trying to find a new owner for his beloved terrier, Flicke, is filled with such gags as well, such as when he throws a ball to distract the dog and then hides under a bridge. But these scenes, because of the careful direction of De Sica and the understated tragic performance of Carlo Battisti, are far from hysterical. We join Umberto through his miseries - we're no longer watching a film, we're accompanying a hopeless man on his journey. It's hard to laugh at such a tragic figure when you're no longer on the outside looking in.

    De Sica also brought us one of the most famous films from the movement, "Bicycle Thieves", which was about a man and his son looking for a stolen bicycle. Like "Bicycle Thieves", De Sica cast unprofessional actors in an effort to find people who could best inhabit these characters. This was common of the movement, which was born during World War II and lasted about a decade, and most of the films set to focus on the "forgotten" assetts to society. The films are bleak and depressing, but they bring attention to a group of people that had gone unnoticed in cinema.

    Umberto (Carlo Battisti), a retired civil servant, joins a group of men and women in Rome protesting pensioners for increased benefits. He cannot afford to pay his own rent, and he is at risk of being kicked to the curb by his uncaring landlady (Lina Gennari). When, one day, the landlady lets Umberto's terrier, Flicke, out on the street, Umberto searches the pound to find him. In a terrifying scene, Umberto learns what they do to the unwanted dogs at the pound. Umberto and Flicke are thankfully reunited, however Umberto, now a homeless man in an uncaring world, has lost the will to live. He tries to find a place for Flicke to stay so that he may kill himself, however there isn't anybody who seems as though they'd take good care of him. He hands all of his belongings over to a couple who boards dogs, however he can tell by their language that they won't continue looking after him for too long.

    By using a dog, it seems as though De Sica would be resorting to obvious pathos. It's impossible to not feel compassion for an animal that many of us so thoroughly love. What's interesting, however, is that the dog takes a backseat to the old man. We feel for Umberto more than his pet despite him, in the opening moments of the film, being an unpleasant individual. The dog is not used to earn our sympathy, rather to enhance the sympathy we feel for Umberto.

    It takes awhile to invest in "Umberto D.", and it's certainly a relentlessly bleak film, but if you stick with it you'll find it incredibly satisfying. The ending, although not happy, is filled with more hope than "Bicycle Thieves", and De Sica takes us on such an emotional journey that it makes us more complete people by the time it's over. An endlessly rewarding movie, and certainly a film everyone should see.
  • January 17, 2009
    Wonderful film that's at once inspiring and heart wrenching.
  • January 11, 2009
    One of the great films of the Italian Neo-Realism era, and on par with DeSica's other great film Bicycle Thieves (Ladri di Bicciclette). Vittorio DeSica takes a slice of life, much like Ozu, in a film with no "proper" beginning or end: the viewer is thrown into a characters lif...( read more)e for one or two days, and leaves him in whatever circumstance he is in. Like Dreyer and Bresson, DeSica also liked to use non-actors with great success. The characters are memorable and realistic which more often than not doesn't happen with familiar stars.

    In Umberto D, we follow the plight of an elderly retired gentleman who is fighting a losing battle trying to exist with an inadequate pension. We never find out what happens to Umberto, but his pitiful efforts to exist in simple daily things create one of the most poignant films ever made.
  • October 25, 2008
    I'm getting to the age where I really need to think hard about retirement and how I can afford it. Can't count on Social Security for much. 401K is taking a beating. Don't want to work until I'm 150. But I do have my dogs, and they are what keep me going.

    This movie could

    ...( read more) be the story of my life. Maybe it is the story of my life? Thank goodness for the goodness of animals. They really can save us.
  • November 14, 2009
    Vittorio de Sica's Umberto D. is an Italian neorealist film. This film depicts an old man, Umberto Dominico Ferrari, who is trying to make ends meet. He lives off a pension and the lady he rents a room from is threatening to kick him out. He tries selling a bunch of stuff to get ...( read more)the money he needs to pay his debts, but he only manages about a third of what he needs. He decides to kill himself, but he has a dog that he doesn't want to abandon.

    Like de Sica's more famous Bicycle Thieves, this film is an Italian neorealist film. The main character is nobody important and his struggles are typical of people in post-War Italy. The film consists of mainly non-professional actors (as far as I can tell this is the only film Carlo Battisti, the man who played Umberto D., ever appeared in). The film is also filmed on location which is another characteristic of neorealism.

    While this film is generally not as well-received as Bicycle Thieves, it is still a fairly well-regarded film. I actually liked this film better than Bicycle Thieves as I found the main character rather likable. People who do not particularly care for dogs probably wouldn't like this film since the dog is rather important in the film. Overall, this film is nearly flawless and probably the best Italian film I have ever seen.

    95/100
    A
  • September 11, 2009
    Review coming someday...

    100/100
  • August 24, 2009
    Thoroughly depressing with a small pay off.
  • July 21, 2009
    This classic Itailian film is directed by Vittorio De Sica and stars Carlo Battisti who brings a moving performance of an elderly man soon to be displaced from his apartment. He is seemingly alone in the world with the exception of his beloved dog; and the dog for me was the ver...( read more)y best thing about the movie. Utterly charming.
  • July 3, 2009
    Words just can't express what i feel about this movie.

Critic Reviews


May 13, 2002
Roger Ebert, Chicago Sun-Times

It is said that at one level or another, Chaplin's characters were always asking that we love them. Umberto doesn't care if we love him or not. That is why we love him. full review

View more Umberto D. reviews at RottenTomatoes.com

Comments


This board looks lonely. Be the first to talk about "Umberto D." !

Critic ratings and reviews powered by RottenTomatoes.com

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

Official Trailer

More Like This


Click a thumb to vote on that suggestion, or add your own suggestions.

  • Shoe Shine Jasper
    Shoe Shine Jasper (0%)
  • About Schmidt
    About Schmidt (50%)
  • Il Posto
    Il Posto (0%)
  • Tijuana Makes Me Happy
    Tijuana Makes Me Happy (100%)

Facts


No facts approved yet. Be the first

Umberto D. : Watch Free on TV


Movie Quizzes


No quizzes for Umberto D.. Want to create one?

Video Clips


No video clips yet. Want to upload one?

Recent News


No recent headlines. Got one?

Most Popular Skin


No skins yet. Interested in creating one?