Anjelica Huston, Bill Murray, Cate Blanchett

A crafty fox finds himself and his family targeted for death by the three dumb, plug-ugly farmers who tire of sharing their chickens with the critter.

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67% liked it

41,874 ratings

Critics

91% liked it

129 critics

PG, 1 hr. 27 min.

Directed by: Wes Anderson

Release Date: November 25, 2009

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Flixster Reviews (1,556)


  • November 15, 2009
    "I don't trust this guy. Anyway, set up the ambush!"

    Doubtless, a family film that appeals equally to children and grown-ups is probably not the easiest thing in the world to make. It has to be smart enough to amuse the adults without being so clever that it disenchants t...( read more)he kids. Having stumbled upon the winning formula with Toy Story, Pixar has been churning out exactly this kind of movie for the past fifteen years. Unfortunately, Wes Anderson does not strike the right balance here; his movie is much too clever for its own good and there simply isn't enough in it for the kids. I can't recall exactly what I was interested in seeing when I was seven or eight years old but it almost certainly it wasn't knife fights, ugly death scenes and foxes talking about existentialism! Fantastic? Not really. On the plus side, this is exquisitely animated, the voices are excellent and there are one or two surprisingly touching moments along the way. In particular, I thought the fox cubs mesmerised by the train set and the mystical late appearance of the wolf were beautifully done.
  • October 22, 2009
    There's a fondly remembered Steve Bell cartoon for the Guardian in which, over a couple of pitch black panels, the strains of the Beach Boys' 'I Get Around' mysteriously float up from the darkness - until the lights are suddenly switched on to reveal the punchline: a bunch of sin...( read more)ging sewer rats turd-surfing on an ocean of urine.

    This brilliantly horrible image springs to mind while watching Wes Anderson's adaptation of Fantastic Mr Fox, which also uses The Beach Boys song in a film about endangered wildlife, some rodent-shaped. If we tell you that the soundtrack also features 'Heroes and Villains', 'Ol' Man River', and 'The Ballad Of Davy Crockett', and that the film has been voice cast almost exclusively with American actors, you might begin to appreciate how far this one's strayed from its leafy Buckinghamshire origins.

    Up to this point, Dahl has been unusually well served by Hollywood, from Charlie And The Chocolate Factory (both flavours), to The Witches, Matilda and Henry 'Coraline' Selick's James And The Giant Peach; a rare misstep being Quentin Tarantino's segment of Four Rooms, adapted from 'Man From The South', an original Dahl screenplay for Alfred Hitchcock Presents.

    It's nigh unheard of, then, for controversy to attach itself to a Roald Dahl project, but during the lead up to this release, reports emerged suggesting Anderson and the crew hadn't seen eye to eye ? literally: Anderson choosing to 'direct by email' from Paris while his animators toiled away for two years at east London's Three Mills Studios. "I think he's a little sociopathic" DoP Tristan Oliver told the press. "I think he's a little OCD. Contact with people disturbs him." While director of animation Mark Gustafson added, "He has made our lives miserable. I probably shouldn't say that." In Anderson's defence, this writer spent the early noughties working in Bromley-by-Bow, where Three Mills is situated, and frankly can't fault him in the least for wanting to steer clear of the place.

    Moreover, in the absence of Anderson's corporeal presence, these grumpy animators have actually produced some sweetly nuanced stuff, filled with well-crafted little details and homages, such as Mr Fox's study being a meticulous recreation in miniature of Mr Dahl's garden hut, and the urbane Mr Fox, like the director, being quite the snappy dresser. While Mrs Fox, voiced by Meryl Streep, is indeed most foxy. "You're as fine looking as a crème brulee" leers Farmer Bean's sole security detail, Rat (Willem Dafoe), a finger-popping, flickknife-wielding Dennis-Hopper-with-a-tail from some 1950s B-picture. "Am I being flirted with by a psychotic rat?" is the wry response.

    Suspiciously wry, some might say. If we reveal this film also features a Buddhist-chanting, yoga-practicing fox cub called Kristofferson, the least welcome new addition to a Roald Dahl story - or a canine family since Scrappy Doo; assorted critters who talk like American co-ed hipsters; laconic musings on existentialism; and lines like "You really are a kind of quote unquote fantastic fox", then alarm bells might just start taking your eardrums apart, piece by jagged piece.

    Watching this, we're reminded of the game in which you pair entirely unsuitable directors with other people's films: think 'Eli Roth's The Full Monty', 'Sam Peckinpah's Bambi', or 'Neil LaBute's The Wicker Man.' (Can you imagine how embarrassing that might be for everyone if the latter were actually made? Ah.)

    This is a Wes Anderson joint first and foremost, with Dahl - and indeed Britain and Britishness - running an extremely poor second. Naturally, only those nasty old farmers have British voices, c/o Michael Gambon and Brian Cox, while even that most English of icons, Jarvis Cocker, contributes a forgettable bluegrass-style number. Turning AA Milne's creations into baffled little rednecks was bad enough. But dear old Foxy?

    In the big scheme of things, this shouldn't really matter - but somehow it does. It jars tremendously. The counter-argument runs that story always wins out; that story crosses genre and geographical boundaries. Which would be fine if Anderson had bothered to even slightly subjugate his singular style in its service. If Dahl is all about the story, Anderson's films are all about the attitude. Again, fine. But you'd hardly turn The Royal Tenenbaums, Rushmore or The Darjeeling Limited into bedtime stories for your children. Not unless you were feeling particularly sadistic.

    It's also a stretch to imagine today's kids responding positively to the deliberately retro stop-animation, an earthier European-style familiar to elder generations, but which might seem abrasive to those suckled on Dreamworks and Pixar. By tying thousands of helium balloons to it, the latter has also raised the bar for family films to vertiginous heights. It's hard to see how Anderson's film, with its bafflingly charmless leading fox, could garner as much goodwill as Up, except among those who still think it's incredibly big and clever to subvert family fare with some tiresomely idiosyncratic shtick.

    The best children's stories find magic in the trash. They seek to elevate the everyday. In their droll, archly detached way, Anderson and his co-writer Noah Baumbach seek to reduce. When all's said and done, Mr Fox acknowledges that he's just a "wild animal". Felicity Fox says that, although she loves him, "I shouldn't have married you". Bean's cider-craving Rat may have ultimately redeemed himself, but in the end "he's just another dead rat in a garbage pail behind a Chinese restaurant." Way to go, Wes and Noah. Hope that babysitting gig works out for you.

    Honestly, this really isn't some kind of Transatlantic stand-off on our part. But how much longer are we expected to stand impotently by while Hollywood arrogantly Americanises our every British children's icon, from Winnie the Pooh to Peter Pan? Who's next - Paddington Bear? (Yes, we know he's technically South American, but you get the drift). Clearly, it's time to fight back, starting with an all-new adaptation of Tom Sawyer and Huckleberry Finn. Starring Ant and Dec.
  • November 25, 2009
    An hour and a half? It seemed like 3 hours, at the end people were up and out of the theater while lights were still low. The moral of inter-species acceptance was a good one, the implimentaion of "cuss" was a bit goofy, the wordsa re not bad, the meaning is. By implying them is ...( read more)the same as using them. The idea of it's OK to steal from the businessmen of the society is just beause you are poor or it's in your blood, not so good. I am still confused if this was a movie for kids or adults? Perhaps if I was on mind altering substances it would have been better?
  • November 23, 2009
    I did not share the same excitement for Fantastic Mr. Fox that I did for Where The Wild Things Are. I loved the idea of Spike Jones doing a live action children's story, and passive about Wes Anderson doing a stop motion animation film. I am a fan of Wes Anderson and I thought he...( read more) was wasting his time with a medium that he does not have much control over as a director. I was wrong, Fantastic Mr. Fox has Anderson's fingerprints all over it and is one of the years most enjoyable films. It joins Pixar's Up as a one of those rare films that is enjoyable to children and adults alike. There are stories that Anderson was absent during production and running the show from his flat in Paris,well that didn't seem to matter. Anderson and Noah Baumbach's script is clever and funny, and it seems he stayed out of the art departments way and let them make this beautiful film. This film's animation isn't as smooth as Henry Selick's (Coriline/ A Nightmare Before Christmas) stop motion animation, but Mark Gustafson's work has throwback quality that seems more artistic and real.(Thanks Scott) It has what was missing from Where The Wild Things Are, great likable characters and fun. For some reason the celebrity voices didn't bother me like they do in other animation films. I was so caught up in the story and enjoyed the characters so much that I just didn't care,but also the casting fit the characters. Clooney's voice screams of class and leadership, Streep's of elegance, and Schwartzman is perfect as the highly imaginative son who doesn't have his father's charisma. Great score by Alexandre Desplat's that mixes beautifully with songs by Burl Ives, Jarvis Cocker, and The Beach Boys. Fantastic Mr. Fox isn't groundbreaking, it's just a delight to watch and makes you feel like a kid again.
  • November 14, 2009
    If this film had come out when I was a little kid, I probably would have watched it a few dozen times by now. Anderson's style melds very well with Dahl's story and characters. I really liked the "old school" stop-motion in this film (although the stuff Selick does is amazing...( read more)). You can really feel the hand-made quality of it. Another thing I enjoyed was it didn't feel so sanitized for kids the way many children's films have become. Character's smoke (gasp!), steal, and (sort of) curse, so it's more of a throwback to Bugs Bunny type sensibilities than the PC stuff that comes out today. Clooney, Schwartzman, and Gambon are perfectly cast. And Anderson and Noah Baumbach But mainly, it was just plain fun to watch and had a lot of laughs...
  • November 25, 2009
    booooooooooooooooooooorrrrrrrrrrrrrrrrrrrrrrrr movie
  • November 25, 2009
    Best film I've seen in a long time. By far the most creative animation I've ever seen. A well thought out, adventure, but not over done. I think kids could enjoy this film visually, but most of the humor will fly right over their heads. The brilliant cast was just the icing on th...( read more)e cake. This movie was the whole package. I recommend everyone with a good sense of humor see this film... and enjoy every moment of the ride.
  • November 24, 2009
    no me interesan las peliculas de la fox
  • November 24, 2009
    Watch this Movie Online FREE Here
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  • November 24, 2009
    looks fantastic, as it's name states

Critic Reviews


November 25, 2009
Amy Biancolli, Houston Chronicle

Anderson injects such charm and wit, such personality and nostalgia -- evident in the old-school animation, storybook settings and pitch-perfect use of Burl Ives -- that it's easy to forgive his self-... full review

November 25, 2009
Roger Ebert, Chicago Sun-Times

Children, especially, will find things they don't understand, and things that scare them. Excellent. A good story for children should suggest a hidden dimension, and that dimension of course is the li... full review

November 24, 2009
Colin Covert, The Minneapolis Star Tribune

The film earns its title's superlative and a hundred more. full review

November 13, 2009
Claudia Puig, USA Today

These weirdly effective shifts in tempo, combined with an attention to detail and distinctive dialogue, make for the best moments in this offbeat adventure. full review

November 13, 2009
Joe Morgenstern, Wall Street Journal

Life is full of surprises. The best one I've had in a good while is Fantastic Mr. Fox. full review

November 13, 2009
A.O. Scott, The New York Times

Fantastic Mr. Fox, which Mr. Anderson wrote with Noah Baumbach, and which he has been hoping to make for many years, is in some ways his most fully realized and satisfying film. full review

November 12, 2009
Peter Travers, Rolling Stone

An adventure in pure imagination that plays to the smart kid in all of us. full review

November 12, 2009
Stephanie Zacharek, Salon.com

Fantastic Mr. Fox is possibly the finest picture about family, community and poultry thievery ever made. full review

November 11, 2009
Armond White, The New York Press

Fantastic Mr. Fox renews one's sense of animation's possibilities. full review

November 11, 2009
Marcy Dermansky, About.com

Cinema-candy for grown-ups. I left the screening room thinking, I want to see this movie again. full review

View more Fantastic Mr. Fox reviews at RottenTomatoes.com

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