Kichijiro Ueda, Machiko Kyo, Masayuki Mori

A heinous crime and its aftermath are recalled from differing points of view.

Flixster Users

94% liked it

35,587 ratings

Critics

100% liked it

39 critics

Unrated, 1 hr. 28 min.

Directed by: Akira Kurosawa

Release Date: December 26, 1951

Invite friends to see

DVD Release Date: March 26, 2002

Stats: 2,206 reviews

Get movie widget Recommend it Add to Favorites

Your Rating



clear rating
Share on: Facebook Twitter

Flixster Reviews (2,206)


  • November 16, 2009
    A story of what happens when an event witnessed by four different people is described in completely different ways, and someone's life is at stake in the telling. One of Kurosawa's best.

    UPDATE: Just saw this again on a HD television. Even though the film obviously wasn't film...( read more)ed in HD or any digital format, the film took on a depth and a detail I"ve never noticed before. It's almost as though I was participating in the film as one of the witnesses.
  • November 12, 2009
    Rashomon is visually stunning, particularly the composition of the court hearing scenes and the scenes with the three men sheltering from the rain. It's not my favourite Kurosawa film but it's probably my favourite Toshiro Mifune performance (although I love him in everything he'...( read more)s done). Ultimately it's spoilt by an 'over the top' introduction which is a little misleading but that's just a niggle really. This is another example of a genres invented by Kurosawa with ideas and structure that has been copied ever since.
  • May 13, 2009
    i liked this film a lot. this is considered one of kurosawas 5 greatest films, and i wouldnt even put it in my top 8 of his, but it was still very good. i think most respect this film so much because it was the film that catapulted kurosawa to stardom, and i can see how. mifun...( read more)e and shimura were great as always and the story was very compelling. ultimately, its a story about liars and thieves and the reality that most people in this world are not to be trusted. the last fight scene was weak, but most of this film was great. more brilliance from akira kurosawa.
  • May 3, 2009
    The film that woke up the world to Japanese cinema, this is a still-effective 'gimmick' melodrama about a rape-murder seen from four different viewpoints, each wildly different. The abused wife, the embittered husband and the lecherous bandit all get to tell their stories - the h...( read more)usband speaking through a medium - and all present themselves in the best light (as brave, noble, ferocious, self-sacrificing) while doing down the others (as cowardly, grasping, lecherous, hypocritical), but finally a bystander comes along and reveals that actually everyone involved is a moral and physical coward, reducing high tragedy to black slapstick as a duel we?ve seen as an epic struggle is re-presented as a knockabout between two men too terrified to fight properly with the final death caused by an accident rather than malice or skill.

    There's a showboat performance from Toshiro Mifune as the swaggering yet hollow bandit desperate to live up to his reputation, but it's Akira Kurosawa's direction that commands the attention as he mood ranges from the savage to the wistful to the comic. Its cynical neatness perhaps lodges it a notch down from masterpiece level, but still outstanding.
    It was adapted for American and British television in 1960 and 1961, with anglo actors playing Japanese under the direction of Sidney Lumet and Rudolph Cartier, then remade as Martin Ritt?s Western The Outrage in 1964 and the odd Bridget Fonda vehicle Iron Maze in 1991, and imitated so often as episodes of everything from The Simpsons to The X-Files that you can pitch something as ?a Rashomon story?.
  • April 27, 2009
    Ambiguous in its conclusion- Who's story do you trust? What a way to explore an event or theme though! Great illustration of the metaphysical allegory of several blindfolded men feeling different parts of an elephant and not being able to agree on what it is that they are feeli...( read more)ng. Everyone's description reveals some truth, but not the whole truth, everyone is lying about something, and the audience is put in the position of judge to figure out what the big picture is. It's all about each individual's interpretation. On my second viewing, I noticed how little dialog there was in the segments in the woods. Relationships and ideas are being expressed, but in silence. It is probably this silent lack of words, which causes some viewers to think the movie is slow.
  • November 15, 2009
    Brillant labyrinthe de mensonges où chaque raconteur est maître et héros de sa propre histoire. Qui doit-on croire et jusqu'où la vanité humaine peut-elle allé? Appuyé par un rythme lent contemplatif ou du moins trépidant dans l'attente de l'action évidente, le tout est secondé p...( read more)ar des interprétations féroces et toujours dans le ton. Mention également à la musique, incontournable.
  • October 29, 2009
    Outstanding. Best sound foreign film out there.

    Perfect ensemble cast, perfect directing and beautiful, mood setting cinematography are amongst the many flawless aspects of this mindblowing film. World Cinema doesn't get much better than this.

    The cast of basically 6 all co...( read more)me together to act out a mesmerising, gripping story told unflichingly by Kurosawa. It has you gripped from the start, when two men are heard to be talking about a horrible story, of which you cannot wait to be told. And told you are, over and over by wildly changing accounts of the crime, each as gripping as the first time.

    A film with an amazing story and a thought provoking ending that has so many inspiring, emotional meanings. Perfectly told and perfectly made with effective editing techniques such as the never more apt "swipe", glourious cinematography, perhaps the best black and white ever, a tenstion building score and great camera angles.

    I don't know what else to say other than WOW this film is phenominal and that every film fan should see it.
  • October 11, 2009
    Going into Rashomon, I didn't know what to expect. The only other Kurosawa film I had seen was Throne of Blood. Considering its time, Rashomon was an exceptionally well made film. It surpassed my expectations by a fair amount. It impressively exemplified human nature, the differe...( read more)nt definitions of truth, and how justice is dealt. However, I'll need to watch it a second time to truly appreciate it.
  • October 7, 2009
    One of Kurosawa's best. One of the very few Directors who have never let me down....
  • September 11, 2009
    Review coming someday...

    100/100

Critic Reviews


June 1, 2002
Roger Ebert, Chicago Sun-Times

Rashomon (1950) struck the world of film like a thunderbolt. full review

View more Rashômon (Rashomon) (In the Woods) reviews at RottenTomatoes.com

Comments


This board looks lonely. Be the first to talk about "Rashômon (Rashomon) (In the Woods)" !

Critic ratings and reviews powered by RottenTomatoes.com

Fresh (60% or more critics rated the movie positively)

Rotten (59% or fewer critics rated the movie positively)

More Like This


Click a thumb to vote on that suggestion, or add your own suggestions.

  • The Seven Samurai (Shichinin no Samurai)
    The Seven Samurai (Shichinin no Samurai) (92%)
  • Kumonosu Jô (Throne of Blood) (Macbeth)
    Kumonosu Jô (Throne of Blood) (Macbeth) (100%)
  • Atanarjuat: The Fast Runner
    Atanarjuat: The Fast Runner (17%)
  • Akahige (Red Beard)
    Akahige (Red Beard) (100%)

Facts


No facts approved yet. Be the first

Rashômon (Rashomo... : Watch Free on TV


Rashômon (Rashomon) (In the Woods) Trivia

Video Clips


No video clips yet. Want to upload one?

Recent News


No recent headlines. Got one?

Most Popular Skin