Adam Sandler, Don McManus, Emily Watson

A beleaguered small-business owner gets a harmonium and embarks on a romantic journey with a mysterious woman.

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73% liked it

112,610 ratings

Critics

79% liked it

180 critics

R, 1 hr. 35 min.

Directed by: Paul Thomas Anderson

Release Date: October 11, 2002

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DVD Release Date: June 24, 2003

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Stats: 6,261 reviews

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Flixster Reviews (6,261)


  • November 12, 2009
    An emotionally repressed salesman woos his sister's colleague but blackmailers from a phone sex line complicate matters. I hate Adam Sandler, I think he is the least funny man on the planet. I have been conned into watching his films in the past because of the talent associated (...( read more)namely Anger Management featuring Jack Nicholson) and my opinion did not change. Here we have a film directed and written by the excellent Paul Thomas Anderson who was responsible for some brilliant films, not least of which the very funny Boogie Nights. Punch Drunk Love is not one of them; the only reason I knew that this was supposed to be a comedy is because it was written on the back of the DVD cover. When will film makers realise that weird does not automatically equal funny...? All of the characters in this were unbelievably annoying and unsymapthetic not least Sandler himself, there are no laughs WHATSOEVER, and it's a tediously boring, charmless chore to sit through. He has managed to go from one end of the bad comedy spectrum (puerile and adolescently unfunny) to the other (irritating and pretentiously unfunny) in one step. Never again Sandler. NEVER AGAIN.
  • September 25, 2009
    The only Paul Thomas Anderson/Adam Sandler film I like, and I really like this one!
  • September 18, 2009
    A perfectly built film experience. Everything fits in its right place: the lead character (astonishingly portrayed with dexterity and depth by an uncanny Adam Sandler) and the road to true love.

    What's the difference between this and other lame love stories? This one takes you d...( read more)eep (and raw) into the mind of Barry Egan, a man obsessed with his own loneliness and insecurities, afraid of living, in constant panic of being in the same room with somebody else. The music becomes a greek chorus, constantly reminding you of Barry's emotions, rather than just beautifying a scene (Jon Brion's most beautiful work to date) and the whole universe surrounding the character morphs and stumbles into the ground when Barry's insecurities arise. Crashes and accidents are a direct result of Barry's crisis and fear.

    Pay attention to the color palette, specially the use of blue and red.

    PT Anderson's most experimental, yet enduring and emotionally relatable film. He simply took one cliché love story and turned it into a study on human nature and love as a disease, that invades every single one of your organs and evaporates your sense of self-protection along with the barriers in your mind.

    There's a lot more in this movie than people usually thinks. You just have to look close enough.
  • September 2, 2009
    I really wanted to like this movie because I've seen almost all of his other movies and I've enjoyed him in serious roles like Reign Over Me. But this was just too much, too weird, too crazy. I've been told I need to wait a year, watch it again, and then see what I think.
  • July 12, 2009
    I have just seen Punch Drunk Love and I am still reeling from it. Watching this film is totally intoxicating as the sights, sounds and atmosphere literally swamp your mind and leave you feeling bemused and on edge - but yet satisfied. We often hear the phrase "jaw-dropping", well...( read more) at several points in the film I was deeply amazed and found myself so engrossed and stunned by the film that I think I was gazing on with my mouth widening in suspense and delight.

    Visually this is one of the best pieces of art I have ever seen, of course it is a film but the cinematography, the direction, and the musical score make this a sensory masterpiece. I was engulfed at times and there was so much going on in the film that I couldn't often pinpoint where it was coming from. I was very prepared to watch it again straight afterwards but I have decided to give it more time to sink in.

    P T Anderson is a complete master of film-making, we can add this to Magnolia, Boogie Nights and the recently released There Will Be Blood to name his most famous films which are all incredible in their own right. This is much more in the style of There Will Be Blood, and although it is different in subtle ways the psychological impact Punch Drunk love has is very similar. We also find the musical score being used throughout the film to add emotion, tension and edginess - this is perfected in a way that I can't recall from many other films. The soundtrack feels almost out of place at times, maybe overbearing but it is adding an extra layer of emotion that begins to burrow down in to your subconscious (that is to say that as a viewer it is not immediately apparent the effect it is having on you). I don't mean this to sound as it the score is intrusive - I think it is an amazingly effective technique to make you almost "feel" the film rather than observe it.

    Adam Sandler is not departing too widely from previous roles because he is playing a socially inept outcast with anger problems, but he is wonderful here and fits the role perfectly. Emily Watson brings an equally nuanced performance which further enhances the richly odd but beautiful flow to this unique film experience.

    I will readily admit that many people are going to find this jarring, lacking in storyline or just plain odd - I think that with this kind of art you either love it or hate it. I was totally blown away by this film and I am annoyed that I didn't see it until almost 6 years after its release.

    I cannot recommend this film highly enough, I haven't been so impressed by the technique, craft and ingenuity of film making for quite some time. Punch Drunk Love is a film that can easily overwhelm your senses and as the credits roll you may feel totally drained and bewildered - but wanting more. A real masterpiece.
  • November 24, 2009
    Didn't enjoy it the first time. 2nd viewing easier, but perhaps that is the point. Amazing tension sequence with brimming frustration and music! Discussion of colour and distancing techniques (links to austism)
  • November 18, 2009
    I Feel Inclined to say"Hey Downey was up for best Supporting Actor. Why Wasn't sandler for Best Actor for this movie?", cause without a doubt this is the most gracefully dark and tradgic romance-comedy he has ever done, that was filled with order, chaos, and scenes that just get ...( read more)better has the movie rolls on!
  • November 17, 2009
    a person in my past said that i should watch this movie
  • November 12, 2009
    Best Original Screenplay 2002
  • November 12, 2009
    i dont understand this movie, maybe i got drunk he1he1

Critic Reviews


October 18, 2002
Moira MacDonald, Seattle Times

A weirdly sweet little love story set in waltz time and filmed as a study in contrast: light and dark, order and chaos, delicate music and ear-bending noise. full review

October 18, 2002
Roger Ebert, Chicago Sun-Times

The film is exhilarating to watch because Sandler, liberated from the constraints of formula, reveals unexpected depths as an actor. full review

October 18, 2002
Ty Burr, Boston Globe

[Sandler] plays Barry just as he would any of the comic dolts who've made him rich but this time all the panicky sadness is out where we can see it. It's a honey of a performance: controlled, achingly... full review

October 17, 2002
Steven Rea, Philadelphia Inquirer

One of the strangest and most beguiling romantic comedies ever made. full review

October 11, 2002
Liam Lacey, Globe and Mail

No film this year has offered quite the cerebral tickle, weird invention and slaphappy gusto as Paul Thomas Anderson's Punch-Drunk Love. full review

October 10, 2002
Peter Travers, Rolling Stone

Anderson orchestrates a comic romance like no other. The effect is intoxicating. full review

October 10, 2002
Edward Havens, FilmJerk.com

Anderson has this uncanny ability to take good ideas that shouldn't take more than twenty minutes of screen time and stretching them out full review

October 5, 2002
A.O. Scott, The New York Times

What Mr. Anderson wants to do is recapture, without nostalgia, the giddiness and sweep of old movies, and his mastery of the emotional machinery of the medium is breathtaking. full review

View more Punch-Drunk Love reviews at RottenTomatoes.com

Comments


  • xXxHarleyxQuinnxXx
    July 21, 2007
    3 letters W T F!!!>>>??
  • GirlfromWaikiki
    April 11, 2007
    this movie is definitly on the darker side and it is really realistic in the way it was filmed. you dont feel like your watching a movie with movie stars , I felt like I was watching someone's life , things were not sensationalized . that is what makes this movie unique. the frustration you feel for the character during the film really tells you how well the director directed. you felt what the charactor felt.
  • sillygirll
    June 13, 2006
    incredibly inspirational to me as a wannabe filmmaker......the story and characters work so well with the beautiful cinematography and the sound compliments the mood, oh oh i could spout off all day about this quirky, heart-warming story and the intelligent directing!
    all films should be like this, personal and beautiful and moving. if i could hug a film i'd hug this!

Critic ratings and reviews powered by RottenTomatoes.com

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Punch-Drunk Love Trivia


  • What movie did Adam Sandler star in?  Answer »
  • He was a "Happy" golf player who loves to "Click" around on his tv and has even fallen in "Punch-Drunk love"  Answer »
  • According to rottentomatoes.com, a site which compiled reviews from hundreds of critics and then averages it out to a percentage, Adam Sandler has only had 1 movie that didn't fall under the rotten category (under 60%). Name it.  Answer »
  • Which Actor connects these 3 movies? -The Salton Sea -The Count of Monte Cristo -Punch-Drunk Love  Answer »

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